安思潼  An Sitong


安思潼,2000 年出生于吉林省吉林市,本科毕业于中央美术学院实验艺术与科技艺术学院。现研究生就读于中央美术学院实验艺术与科技艺术学院总体艺术与跨界研究方向。

关注一些日常生活中极容易被忽略的、一瞬间的诗意的存在,日常创作集中于“留存”这种诗意,通过日常物品的组合、物体与环境的关系和某种动态的介入来深挖和呈现出城乡空间内部的诗意。并尝试以“旅行”作为一种方法来进行创作和实践,以身体的观察经验与行走过程来介入“在场”,在不同的空间中寻找叙事的线索,通过田野调查、口述采集、物件收集与在地介入等方式来在“旅行”的过程与状态中进行创作。创作时并不预设一种“艺术家”的身份,而是以探险者、局外人、捣蛋者或是孩童式的心态去制造一个个事件与现象,在经验的回溯与增长中进行“偶发”的行动。

同时创作了一系列绘画,材料以水墨为主,画面中的元素自发地构成了某种叙事性。画中的元素来源于我的阅读、观看、梦以及生活经验, 通过绘画的方式来呈现某种对事物以及场景的“印象”。

此外也创作了一系列短篇小说,并将其称之为“宇宙文学”。 包含作者一切关于世界与宇宙的幻想与想象,关于现象、本源、记忆、时间、熟悉与陌生、边沿与尽头......


An Sitong, born in 2000 in Jilin City, Jilin Province, graduated with a bachelor's degree from the School of Experimental Art and Technology at the Central Academy of Fine Arts. She is currently pursuing a postgraduate degree in the School of Experimental Art and Technology at the Central Academy of Fine Arts, specialising in Integrated Art and Interdisciplinary Research.

An Sitong's practice focuses on the fleeting poetic moments easily overlooked in daily life, concentrating her creative work on preserving such poetic essence. Through the arrangement of everyday objects, the relationship between objects and their environment, and dynamic interventions, she delves into and reveals the inherent poetry within urban and rural spaces. She employs ‘travel’ as a method to engage with “presence” through bodily observation and the act of walking, seeking narrative threads across diverse spaces. Through fieldwork, oral history collection, artefact gathering, and site-specific interventions, she creates within the very process and state of “travel”.  The creative process does not presuppose an “artist” identity, but rather adopts the mindset of an explorer, outsider, mischief-maker, or child to generate events and phenomena, undertaking “incidental” actions through the retrospective and accumulative nature of experience.

An Sitong has also created a series of paintings, primarily employing ink wash techniques. The elements within these compositions spontaneously coalesce into a narrative quality. Drawing inspiration from my reading, observations, dreams, and lived experiences, these works present a certain “impression” of objects and scenes through the medium of painting.

Additionally, she has authored a collection of short stories, which she terms “Cosmic Literature”. These encompass all the author's fantasies and imaginings about the world and the cosmos—concerning phenomena, origins, memory, time, familiarity and strangeness, edges and ends...


参展经历
2020,“UNFOLD线上AR展览”作品参展/开幕演出(UNFOLD,线上);
2020,“‘天演”第二回:虚现实,自贸艺术狂欢节单元”群展(悦美术馆,北京);
2021,“各打五十大板时的击打节奏”策展/作品参展(拟像空间,北京);
2021,“齐泽克:无聊是每一个真实行动的开始”(拟像空间,北京);
2022,“中央美术学院本科线上毕业展”群展(中央美术学院美术馆,北京);
2022,获得“千里行提名奖”;
2022,“On Boarding艺术新星首飞毕业展”群展(BIP.GALLERY,上海);
2022,“5.63%——中央美术学院2022届东北地区毕业生作品邀请展”(山上美术馆,辽宁);
2024,“来临中的共通体——新青年实验艺术双年展”(陶溪川美术馆,景德镇);
2024,“Setup安装——CYE流动展厅计划”(上海明圆美术馆,上海)。


EXHIBITIONS 
2020, Participating Artist/Opening Performance, ‘UNFOLD Online AR Exhibition’ (UNFOLD, online);
2020, Group Exhibition, ‘“Celestial Evolution” Part II: Virtual Reality, Free Trade Art Carnival Section’ (Yue Art Museum, Beijing);
2021, Curator/Participating Artist, ‘The Rhythm of Strikes When Each Gets Fifty Lashes’ (Simulacrum Space, Beijing);
2021, ‘Žižek: Boredom is the Beginning of Every Genuine Action’ (Simulacrum Space, Beijing);
2022, ‘Central Academy of Fine Arts Undergraduate Online Graduation Exhibition’ group exhibition (CAFA Art Museum, Beijing);
2022, Recipient of the ‘Qianli Xing Nomination Award’;
2022, ‘On Boarding Rising Stars First Flight Graduation Exhibition’ group exhibition (BIP.GALLERY, Shanghai);
2022, ‘5.63% – Invited Exhibition of Graduates from Northeast China Region, Central Academy of Fine Arts Class of 2022’ (Mountain Art Museum, Liaoning);
2024, ‘The Emerging Commonality – New Youth Experimental Art Biennial’ (Tao Xichuan Art Museum, Jingdezhen);
2024, ‘Setup Installation – CYE Mobile Exhibition Hall Project’ (Shanghai Mingyuan Art Museum, Shanghai).




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